Private view 3rd November 6-8:30pm
An Art Exhibition featuring the work of Seven Figurative Artists who explore and scrutinize the human form through the process of painting and drawing from observation.
Come and see how the familiar and unfamiliar co-exist together, with each Artist revealing a unique perspective, not just of the human body, but also what it means to be human.
Amanda Lebus Ilona Pimbert Emma Duggan
22nd - 29th September
Private View 22nd September 6.30 - 8.30pmThree artists who are gardeners and gardeners who make art will exhibit paintings and prints at Islington Arts Factory for a week from Friday, September 22nd .
After this summer of fires and floods, worldwide heatwaves and sullen British damp, a pause for pleasure in the twin investments of studio and allotment. Gardeners work with soil and season; artists craft from conditions of the body, harvesting feeling into work and working through feeling to
Not all seeds that are sown flourish. Not all sketches set fruit as finished works. For both garden and artwork, a regular practice of focus and attention matters. The notion of control is an illusion – we work with what we find, and find ourselves collaborators with nature. These three women artists find expression, nourishment and beauty in their gardens that spills into their art.
Interdisciplinary artist Emma Duggan embroiders and paints, as well as training as a horticulturalist and healer. Springing from both imagination and observation, she fuses her different practices through journals and sketchbooks, being inspired by nature, healing, folklore and dream. Working in Birmingham, Duggan keeps an allotment.
Amanda Lebus works across art forms, in paint, print, puppetry and performance. She has drawn at a large scale with natural materials out of doors, in work whose permanence is weather-guided. Lebus was thrice artist-in-residence for the harvest in a Tuscan olive grove, and has tended her allotment for 27 years.
Ilona Pimbert, a painter and printmaker, focused first on video art when at Chelsea and St Martins. More recently she has painted in watercolours and printed often at Brixton’s Artichoke Print Workshop. Pimbert explores themes of nature, people in nature, energy, colour and mark-making.
by Oscar Mather
9th - 15th September 2023
Private View 8th September 6.30 - 8.30pm
Oscar Mathers is an architect, artist and writer (b.1994), Paris). Fire, Fire is the artist's first solo exhibition, bringing together etchings, aquatints and drawings. The PResented works have bee created over a period of four years in France, Italy and England.
With an ongoing interest in Cathedral architecture, Fire, Fire explores elements characteristic of the gothic including strong verticals, stone textures, depth, dakrness and light. After the fire at Notre-Dame de Paris in 2019, Mather began to focus his practice towards the fragility of this familiar building.
Intertwining imagery of structureand order alongside melted scaffolds, billowing smoke and Notre Dame's toppling spire, the work acknowledges the vulnerability behing seemingly resilient places. The sllippage between figuration and abstraction within the pieces also evokes the process of structure giving way.
The techniques used to create the works in Fire, Fire echo a material transiion and change of state. Burnt wood, burnt ground, smoke and corrosives used during the etching of the plate create a deep chemical change within the metal. Most of the works go through this iterative process of etching, revising, burnishing, etching again and again until the final state is reached.
Other woks, such as the monotypes and experiemental aquatints, are made in a single, quick gesture. These particular approaches embrace the unpredictable, the accidental and rely heavily on the artist's intuition and judgement. As a result movement and transformation are integral to Mather's printmaking process, further reflecting a state of permanent change.
The triptych of Viollet-le-duc also provides important context to the exhibition. Viollet-le-Duc, the restorer of Notre-Dame in the 1800s, designed the famous Spire which was lost to the blaze. Martin Bessani, an expert on Viollet-leDuc, said that the monotypes ''expressa chaos that viollet-le-Duc tried all his life to suppress''.
Viollet-le-Duc's notebooks, containing intricate designs for Notre-Dame's restoration, are now being used for the Cathedral's current reconstruction. Notably, it is the paper that has stood the test of time in this case, rather than the stone.
Whether through bold charcoal drawings, loose gestural marks or precisely etched lines, Fire, Fire explores the movement between building and drawing, durability and fragility.
In The Midst
Middlesex Fine Art Year 2 Show
27th - 29th April
Private View 28th April 5 - 7pmIn The Midst is a group exhibition curated by second-year fine art students from Middlesex University, showcasing their works developed conceptually and technically over the past year. The exhibition represents a midpoint in their journey towards their career aspirations. The show boasts a diverse range of mediums, styles, and artistic approaches, including painting, drawing, printmaking, textiles, photography, video, sculpture, installation, mixed media, and live performance. The exhibition features a range of visual styles, including hyperrealism, abstraction, surrealism, grunge, expressionism, and hybrid styles, each with unique and diverse colour palettes. The artworks convey a range of moods, from melancholic grief to vivid emotions, and themes that touch upon the past, present, inner, social, and universal aspects of the human experience. The exhibition reflects the multicultural international community of people from over ten different countries, with each artwork presenting a unique perspective and experience. In The Midst offers a unique opportunity to explore the diversity of artistic approaches and discover emerging artists from around the world.
Blanco Gallery is delighted to present, ‘Reflections’ , an exhibition of figurative painting, sculpture, ceramics, installation, and performance from emerging artists Jungwon Jay Hur Magarita Leva Loze Rachel Losdale Tom Mead.
Curated by: Adela Blanco
Private View Friday 18th 6:30 - 8:30pm
‘There is literally no edge of the sun/my carpet has no edges’ performance by at 7:30pm
Islington Arts Factory Exhibition Archive